Inaugural NFT BZL Conference at FTX Arena Following the success of its Paris debut in October, the next stop will be the RIMOWA Miami Design District boutique to showcase unique pieces by local US artists (announced in the coming weeks) through December 5. Now, this legacy is being celebrated through “As Seen By,” a curated exhibition of artworks reimaging their aluminum materials through the lens of local artists and craftsmen throughout the world. Since the first RIMOWA aluminum suitcase was created in 1937, the German luggage company has become synonymous with the striking, minimalist metal. RIMOWA "As Seen By" on display from November 30 through December 5 at their Miami Design District. The installation will be open to the public through end of December. Once the labyrinth is dismantled, the temporary “forest” will be replanted in parks throughout Miami-Dade County. The massive sculpture will be flanked by over 1,000 trees, measuring 100 feet in diameter with walls up to 22 feet high, and will be activated with sound, light and scent components.
The French fashion house is taking over Miami Design District’s Jungle Plaza with a full-size, multi-sensory labyrinth installation by immersive artist, Es Devlin, to celebrate the 100th birthday of its iconic fragrance, Chanel No. The event will be hosted in collaboration with humanitarian and Michelin-star chef, José Andres. LnS GALLERY is located at 2610 SW 28 Lane.īen Josef, Olarte Kanavos and the Lowenstein family are hosting a panel and cocktail reception at The Ritz-Carlton South Beach to celebrate Ghanaian artist, Serge Attukwei Clottey’s “The Bodies Left Behind,” a site-specific installation curated by Neville Wakefield. Curated by Tami Katz-Freiman, this exhibition is the culmination of three years of work by Vazquez-Figueroa - paintings, photography, and sculptures - which showcase the multimedia artist’s interpretation of the worldwide impact of the petroleum industry and a very personal investigation of oil-rich countries.
LnS Gallery is showcasing a solo exhibition by Miami-based artist, Tony Vazquez-Figueroa titled “Petropias” through January 22. LnS Gallery Presents Petropias: A Solo Exhibition by Tony Vazquez-Figueroa refineries, and containers as revealed both structurally and metaphorically.
It’s not stable enough for heavy use, but it will do fine for occasional home video editing.Petropias plays on the petrostate, entropy and dystopia, and revolves around the idea of holes. At one point it hard-crashed my computer while I was importing videos, and at other times it became sluggish performing tasks that didn’t challenge other products. This release is more solid than some previous versions, but it still has issues from time to time. However, stability is the biggest problem with Pinnacle Studio. The effects and transitions libraries are large, but they’re not always executed perfectly.
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The interface no longer looks like it’s from another era altogether-it’s now one of the nicest-looking editors on the Windows platform. It’s mostly intuitive, and it comes with some solid tutorials in case you can’t figure it out for yourself quickly. That has changed in a big way with Pinnacle Studio 21. The selection of filters and transitions is also quite good for a consumer video editor, though their quality is not always as good as in other programs.įor years, Pinnacle Studio was known for its less-than-stellar user interface. Importing features are broad, and include some unexpected features.